ornamental line

Illusions That Give Joy

"To your land of unbelief, where the dead do not speak, where every
man is wise, and alone--and at peace!" (Tales 33).

Joseph Conrad's "Karain: A Memory" (1897)

Joseph Conrad's "Karain, a Memory" (1897), in Tales 8-42

  1. is the narrator’s nostalgia for the Eastern Archipelago tied more to the place or the people?
  2. does the narrator believe that nostalgia for the past can be effectively recovered and conveyed to others?
  3. does the narrator’s initial description of Karain’s domain (9) provide us with an objective or subjective description of the place and people?
  4. is the narrator’s perspective authoritative—never questioned?
  5. is Karain, who suspiciously casts an “illusion of unavoidable success” (10), in fact a capable leader of his people?
  6. can we explain away Karain’s visions of Pata Matara’s sister?
  7. how should we characterize Karain’s fateful, violent decision?  Is he motivated more by honor, justice, equality, or desire?
  8. does this story ultimately validate the supernatural, or dismiss it as either fabrication or guilt-induced hallucination?
  9. does Karain’s belief in the supernatural bring him peace?
  10. which of the characters genuinely see Karain as a friend?
  11. which one of the characters believes it a moral act to lie in order to help a friend, and comes up with a charm to give Karain to ward off that which pursues him?
  12. do the sailors ultimately see Karain as more similar to them than he is different?
  13. is European culture ultimately presented as superior to that of Malaysia and the Philippines?


An abstract painting that uses earthy colors and some red. A large white shape is the central peice
Study to Composition, II (1910)
Wassily Kandinsky


Dr. Paul Marchbanks
pmarchba@calpoly.edu