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Alone Together
“People don’t do such things; we’ve got to observe les convenances if we
ever expect to get on and keep up with the procession” (51).
Points
for Reflection
K. Chopin's The Awakening (1899), chps. 13-23
- does the narrator praise Edna’s appearance and strength?
- does Edna’s awakening allow space for spiritual reflection?
- why does Robert abruptly leave for Mexico?
- does Edna’s self-knowledge grow in any perceptible way in the second third of the novel?
- why is it so important to Léonce that Edna continue receiving lady visitors in the afternoons? What factor does he repeatedly point to when explaining matters to his wife?
- how does Edna react to the alternative model of marriage provided by the Ratignolles?
- how does Edna’s awakening affect her old relationships and values?
- can we make sense of Edna’s claim that she would give her life for her kids, but would not give herself (47)?
- does Edna value the same things about Robert when he his absent as when he is present?
- does Edna’s quest for self-actualization back in New Orleans bring her more peace, happiness, and health than trouble and distress?
- could Edna be classed as a “blue stocking,” an intellectual or literary woman who finds her new identity through alliance with like-minded women?
- in what kind of mood is Edna when she sets out to find Mademoiselle Reisz’s place in the city, and why does this matter?
- does the new Edna seem more alive, or less so, to Madame Lebrun and Victor LeBrun when she visits them?
- does Dr. Mandelet share serious Léonce’s concern about Edna’s recent behavior?
- why is Edna so deeply moved by music?
- why does Edna begin to pursue drawing more seriously?
- do you agree with Mademoiselle’s Reisz description of what it takes to be a successful artist?
- does Edna’s father believe in her artistic ability?
- what types of tale are spun among friends in the Pontellier’s circle of acquaintance; what do their respective stories reveal about themselves?
- how does Edna’s own storytelling ability compare with that of others?
- does Edna like Mademoiselle Reisz, the pianist, as much as the musician likes her?
- does the narrator reveal her/his own opinion of character situations?
- do the primary characters’ interactions with and descriptions of characters of color help distinguish our main characters from one another, or do they share an attitude towards people of color?
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My Wife, Eveline, in a Garden (1890)
Edmund Tarbell
Dr. Paul Marchbanks
pmarchba@calpoly.edu