Sequence 5: 19th-Century British & American Lit.
Calendar for Class Discussion & Exams ("Path 1")

“Literary experience heals the wound, without undermining
the privilege, of individuality" (140).

C. S. Lewis's An Experiment in Criticism (1961)




for pre-class "points for reflection," click on colored bar above assigned readings

Date

Readings: Path I

Topics

UNIT ONE: SIGNPOSTS
The Cost of Art
R, 9-18

The Cost of Art
E. B. Browning’s “A Musical Instrument” (1860; 1860)
M. Arnold's "Dover Beach" (ca.1851; 1867)
E. Dickinson's poems #448, #519
P. L. Dunbar's "Sympathy" (1899)
DUE: Tues., Sept. 23 / Post Impassioned Plea about Dr. M's video on A.I. (If you subscribe, for free, you'll know immediately when it drops.)

  • course guidelines
  • topics: the uses, abuses, and costs of art
  • mini-lecture: "The Woman Question" PDF
T, 9-23

NO CLASS / this session will be made up with the required film screening on Wed., Nov. 19 at 7 p.m. at The Palm Theater in SLO]
DUE: Impassioned Plea--posted comment/response to A.I. Ate My Homework

 
Death and the Maiden
R, 9-25

Death and the Maiden
R. Browning's “Porphyria’s Lover” (1834; 1836, 1842)
R. Browning's "My Last Duchess" (1842; 1842)
A. Tennyson’s “The Lady of Shalott” (1831-32; 1832 & 1842)
C. Rossetti's "In an Artist's Studio" (1856; 1896)

  • concepts: parabolic drift, monodram
  • format: asynch lecture & YouTube comment post
Faith & the Ineffable
T, 9-30

Faith & the Ineffable
E. B. Browning's "The Soul's Expression" (1844)
E. B. Browning's "Exaggeration" (1844)
M. Arnold's "Stanzas from the Grande Chartreuse" (c.1852; 1855)
E. Dickinson's #207, #236
G. M. Hopkins's “Pied Beauty” (1877; 1918)
G. M. Hopkins's "Carrion Comfort" (1885; 1918)

  • topics: faith, religious doubt, the Ineffable
  • format: directed discussion; mini-lecture on Christianity in Britain, PDF
The Disenfranchised
R, 10-2

Slavery and Trafficking
E. B. Browning's "The Runaway Slave at Pilgrim's Point" (1846; 1848, 1850) [content warning: sexual assault]
E. B. Browning's "Hiram Powers's Greek Slave" (1850)
James Monroe Whitfield's "The Misanthropist" (1853)
Frances Ellen Watkins Harper's "The Slave Auction" (1854)
Frances Ellen Watkins Harper's "Bury Me in a Free Land" (1858)

  • topics: Nature, beauty, madness, religion
  • format: mini-lecture on the slave trade; free-form roundtable
Gendered Interiorities
T, 10-7

Dueling Interiorities
J. Clare's "I Am" (1845; 1848)

M. Arnold's "The Buried Life" (1852)
C. R. Rossetti's "Winter: My Secret" (1857; 1862)
D. G. Rossetti's "Jenny" (1848, 1870)

  • concepts: interiority; imagination vs. empiricism
  • format: roundtable
UNIT TWO: A MATTER OF DEPTH

The Contours of Realism

R, 10-9

The Contours of Realism
G. Eliot's "Mr. Gilfil's Love Story" (1857, 1858), chps. 1-8 of "Mr. Gilfil's Love Story" in Scenes of Clerical Life
G. Eliot's "Silly Novels by Lady Novelists" (1856; 1856)

  • mini-lecture: G. Eliot & Realism, PDF
  • format: roundtable discussio

A Question of Characterization

T, 10-14

A Question of Characterization
G. Eliot's "Mr. Gilfil's Love Story" (1857, 1858), chps. 9 - Epilogue of "Mr. Gilfil's Love Story" in Scenes of Clerical Life

  • format: sml grp argumentation
The Purposes of Art
R, 10-16

The Purpose(s) of Art
J. Ruskin’s The Stones of Venice (1851-53),
on "savageness" in Gothic architecture, Vol. 2, chp. 6
R. Browning's "Andrea del Sarto" (c.1853; 1855)
W. Pater's Studies in the History of the Renaissance (1868; 1873)

Graphing Narrative Modalities: video

  • topics: Romanticism, Sentimentalism, & Realism narrative modalities / PDF
  • format: guided discussion w/ slideshow
The Pre-Raphaelites
T, 10-21

The Pre-Raphaelites: Purity & Power [ASYNCHRONOUS SESSION / VIDS / Part 1 / Part 2 / Part 3
D. G. Rossetti’s “The Blessed Damozel” (1846; 1850)
Neil Gaiman's "How They Met Themselves" (Jan. 2000)
C. Rossetti's "Goblin Market" (1859; 1862)

W. Morris's "The Defence of Guenevere" (1858)

Exam #1 study guide: sec 01 / sec 02

  • topics: tone, voice, allegory
  • mini-lecture: The Pre-Raphaelites, PDF
What Is Real?
R, 10-23 What Is Real?
H. James's "The Real Thing" (1892, 1909)
Midterm Exam: true/false, multiple choice, & essay [bring scantron & unsigned blue book]
  • topics: literary realism
  • format: roundtable discussion
UNIT THREE: SPLIT IN TWO

T, 10-28

The Power of Beauty
O. Wilde's The Picture of Dorian Gray (1890), Preface and chps. 1-4)

  • format: sml grp discuss & report

R, 10-30

The Shadows of Art
O. Wilde's The Picture of Dorian Gray (1890), chps. 5-8
G. M. Hopkins's "[Carrion Comfort]" (1885; 1918)
  • format: roundtable conversation
M, 11-3 thru F, 11-14 PATH 2 SMALL GROUP DISCUSSION IN OFFICE

 

T, 11-4

A Life of Sensations
O. Wilde's The Picture of Dorian Gray (1890), chps. 9-12
E. B. Browning's "Lord Walter's Wife" (1862)
DISCUSS MIDTERM EXAM ESSAYS (bring to class)
BRING a copy of "Carrion Comfort" [from last Thursday]

  • format: sml grp thesis & argumentation exercise
R, 11-6

This Seemingly So Solid Body
O. Wilde's The Picture of Dorian Gray (1890), chps. 13-20
O. Wilde's "The Harlot's House" (1885, 1908)


  • format: sml grp exercise

T, 11-11

NO CLASS / VETERAN'S DAY HOLIDAY


 
A Delicious, Grotesque, Impossible Dream
R, 11-13

A Delicious, Grotesque, Impossible Dream
K. Chopin's The Awakening (1899), chps. 1-12

  • format: intructor-directed discussion
Alone Together
T, 11-18

Alone Together
K. Chopin's The Awakening (1899), chp. 13-23

  • format: discuss PORs; Path 2 chalk or dry erase drawings and discussion
W, 11-19

REQUIRED FILM SCREENING: The Palm
required screening: Mary Lambert's Grand Isle (1991), 7 p.m. at The Palm [alternative: write essay about film during office visit after watching online but before we discuss the film in class on Nov. 20]
Post online response to Dr. M's YouTube video prior to Tuesday's class.

  • format: Path 2 chalk or dry erase drawings and discussion
That Monster Made Up of Beauty and Brutality
R, 11-20 That Monster Made Up of Beauty and Brutality
K. Chopin's The Awakening (1899), chp. 24-39
students create and print out 4-5 discussion questions concerning chp. 24-39; turn in hard copies
 
Race Matters
T, 12-2 Race Matters
Charles Chesnutt's "The Goophered Grapevine" (1887), PDF
P. L. Dunbar's "We Wear the Mask" (1897)
, PDF
B. T. Washington’s "The Atlanta Exposition Address" (1895, 1901), PDF
W. E. B. Dubois’s The Souls of Black Folk (1904), chps. 1 & 3, PDF
 

R, 12-4

Extraordinary Bodies & Minds
W. Whitman's "I Sing the Body Electric" (1855), PDF
R. Browning's "Deaf and Dumb" (1864)
, PDF
E. Dickinson's poems:#320, #620 (1861-84), PDF
C. P. Gilman’s “The Yellow Wall-Paper" (1892), PDF

  • format: synergetic roundtable
T, 12-9

FINAL EXAM: bring 1-2 blue books for open-book, open-note exam addressing Path 2 novel and select Path 1 texts
sec 01: Tuesday, Dec. 9, 1:10-4:00 p.m.
sec 02: Tuesday, Dec. 9, 4:10-7:00 p.m.

 



On the Brink (1865)
Alfred Elmore


Dr. Paul Marchbanks
pmarchba@calpoly.edu