Brit Lit
Survey: 1790 to Modern Day
Course Guidelines
"Once, not that long ago, if a man or woman shook you by the hand, offered you gifts,
you would have reason to expect
that he, she, would not kill you at the next meeting
because the idea had just that moment come into his head . . ." (205).
Doris Lessing's The Memoirs of a Survivor (1974)
the basics / course goals
/ path
1 / path 2 / miscellany
THE
BASICS
English 231: Masterworks of Brit. Lit. from the Late
18th century to the Present (4) GE C1
thematic touchstone: Apocalypse and Dystopia
class time & location:
MW, 12:10-2 p.m. and 2:10-4 p.m., (186.C301)
instructor: Dr. Paul Marchbanks
email: pmarchba@calpoly.edu
office: 805-756-2159 / building 47 (the "maze"), hallway 35,
office A / available
hours
The horrors accompanying war, revolution, disease, and governmental repression in the late eighteenth and early nineteenth centuries set fire to the western imagination, sparking dystopic narratives like The Last Man (1826) that imagined how the human race might respond to still more catastrophic crises spread across a larger, sometimes global stage. The template established by Mary Shelley and her ilk developed a strong hold on the cultural consciousness, inspiring numerous novels, short stories, television series, and films that together share a preoccupation with humanity's ability to survive in the face of complete and utter disaster.
It is a question sharpened in the modern period by the menace of nuclear weapons, terrorism, global warming, economic dysfunction and--most recently--new viruses. This course will examine such pressures--as imaginatively magnified tenfold--in the works of primarily (but not solely) British poets, novelists, and comic book writers.
COURSE GOALS
- to promote
close reading and analysis
- to develop visual as well as text-based literacies
- to
augment student recognition of tone and voice
- to
hone critical thinking, writing, and argumentation skills
- to deepen
students' comfort with public speaking through class
discussion and reading aloud
- to
cull ideas from and analytical methods inspired by other fields (e.g. psychology,
sociology, architecture, philosophy) and employ them in literary analysis
- to encourage
the technologically minded student to consider what literature might possibly
accomplish better than other, faster means of conveying information
- to
combine a socio-historicist and stylistic overview of traditional literary
periods as they pertain to dystopic images and narratives
PATH 1: In-Class
Discussion and Exams
Materials (purchase
these editions so we share pagination: this will positively impact your participation grade)
- Mary Shelley's The Last Man (1826). Oxford Univ. Press, 2008. ISBN: 978-0199552351
- H. G. Wells's The Time Machine (1895). Dover, 1995. ISBN: 978-0486284729
- Richard Matheson's I Am Legend (1954). Tor Books, 2007. ISBN: 978-0765318749
- P. D. James's The Children of Men (1992). Vintage, 2006. ISBN: 978-0307275431
- Brian K. Vaughan's and Pia Guerra's Y: The Last Man (2003). Book One. ISBN: 978-1401251512
- spirital notebook or digital tablet. No laptop or cell phone usage during class.
Assignments
- attendance: given the brief duration of the quarter system, missing class will begin to hurt your grade almost immediately. You have one free absence . Your second absence will cut 1 pt from your final grade, your third absence will cut 3 more pts from your final grade, your fourth absence will cut 5 more pts from your final grade, etc. In other words, 4 absences will remove 9 pts from your final grade, etc. Excused absences are difficult to come by.
- participation & class
discussion (20 pts, 5 pts each): Four grades of five pts each, awarded after weeks 3, 5, 7, and 10. Students commonly earn around 4 pts. Lower scores will be given to those who rarely contribute to discussion, and higher scores awarded to those who consistently:
- demonstrate close familiarity
with assigned readings by backing up claims with specific evidence
- reference the appropriate editions of each assigned work with correct pagination
- contribute thoughtful, organized reflections to class discussion and group activities
- regularly, fully engage during in-class writing & workshopping exercises
- avoid using cell phones or laptops during class
- stay abreast of course updates (via website & email); report website errors (broken links, typos, etc.)
- pre-class short essay response (10 pts)
- each student writes one short, 200-300 word response essay that engages one point for reflection (i.e. study question) linked from the colored bar above each day's assigned reading on the Path 1 calendar. These will be spread throughout the quarter.
- first, select three possible prompts from those provided for the class day in question and email me your list no later than 9 a.m. the preceding morning if you are slated to write a response for a given class session (see below). (For example, if writing a response to a prompt attached to Wednesday's assigned reading, send me your three possible prompts by 9 a.m. on Tuesday.) I will assign you one of the three prompts, and update the Points for Reflection so others can see which questions have already been assigned.
- secondly:
- paste the prompt to which you're responding at the head of your essay [otherwise, NO CREDIT]
- write the essay; closely proof your work
- deftly incorporate one short quote into your own prose: do not quote an entire sentence. Employ appropriate parenthetical citation format for MLA:
- example: (Shelley 47) for fiction
- example: (ll.42-44) for a poem
- send a Word doc (NOT a PDF) of this essay to me via email by 9 p.m. the night before the class day corresponding to the prompt you answered.
- essay response assignments listed below:
- M, 4-17 / sec 01: Hudson Bair, Grace Bennett / sec 02: Connor Ellis, Brianna Carrasco
- W, 4-19 / N/A
- M, 4-24 / sec 01: Ben D'orazi, Ellie Delurgio / sec 02: Keith Christi, Alexis Gonzalez-Haro
- W, 4-26 / sec 01: Jeremy Garza, Rishit Gupta / sec 02: Ethan Gutterman, Angie Stevens
- M, 5-1 / sec 01: Michelle Kairy / sec 02: Andy Lin, Wesley Seifers
- W, 5-3 / sec 01: Michelle Lopez, Ella Marchal / sec 02: Shruthi Narayanan
- M, 5-8 / sec 01: Liv Mehran, Avi Minawala / sec 02: Alex Torres
- W, 5-10 / sec 01: Salva Rivera-Patton, Jane Schauerman / sec 02: Maddie Windsor
- M, 5-15 / sec 01: Gondica Strykers, Marielle Thomas / sec 02: Allison Dunster
- W, 5-17 / sec 01: Ryan Trainor, Manuel Valdez / sec 02: Bryson Silvestri, student name
- M, 5-22 / sec 01: Riley Breul / sec 02: Sophia Ralls
- W, 5-24 / sec 01: Kolton Kimura, student name / sec 02: Nick Baham
- M, 5-29 / sec 01: student name, student name / sec 02: student name, student name
- W, 5-31 / sec 01: student name, student name / sec 02: student name, student name
- assessment: these short essays will be graded holistically, and I will discuss my observations and edits publicly, during our class meeting (I will not disclose grades.)
- exam #1 (15 pts): an in-class, objective exam (T/F, multiple choice) requiring a green 100-question scantron
- exam #2 (15 pts): an in-class, 400-500 word essay exam.
PATH 2: Intersections Between Literature & Film
- Impassioned Plea (5 pts each, 15 pts total): students will post three separate, 75-100 word (no more, no less) responses on Digging in the Dirt, blurbs which each respond to a dystopia-related video posted by Dr. M. Each video will consider issues surrounding a dystopic novel or dystopic film (or both). See list below under "Extra Credit." Be sure to subscribe so that you know the moment I publish a new video: post within 48 hrs. (If you post under an alias, let me know.)
- exam #3 & term paper combined (25 pts): during the 3-hour final exam period, students will individually construct a written argument that weaves together the Path 1 novel and Path 2 film assigned to their Path 2 group. This paper will be written during the final exam period. Every student may bring a single-spaced, two-page outline (12 pt font, Times New Roman, 1" margins all around) containing bulleted points they wish to make. Every bulleted line should be a sentence fragment of only a few words. (No complete sentences.)
- sec 01: Wed., June 14, 10:10 a.m. to 1:00 p.m.
sec 02: Mon., June 12, 1:10 a.m. to 4:00 p.m.
- extra credit: I will screen a dystopic or apocalyptic film on a few Saturday evenings, beginning at 7 p.m. at our condo. Attending a screening and engaging in thoughtful discussion afterwards will add 1-2 points to your final course average. Students may attend a maximum of two film screenings for a combined total not to exceed 3 extra points.
- Sat., Apr. 15, 7 p.m. / Steven Spielberg's The War of the Worlds (2005)
- Sat., Apr. 29, 7 p.m. / George Lucas's THX: 1138 (1971)
- Sat., May 13, 7 p.m. / Denis Villeneuve's Blade Runner 2049 (2017)
- Sat., May 27, 7 p.m. / Kathryn Bigelow's Strange Days (1995)
MISCELLANY
Grading: go here for an elaboration of terms used below
A =
94-100
A- =
90-93 |
A (18-20 on 20-pt scale, 5.4-6.0 on 6-pt scale): creative, topically focused, tightly structured, supported with the most convincing evidence, and virtually error-free |
C+ =
77-79
C =
73-76
C- =
70-72 |
C (14-15.9 on 20-pt scale, 4.2-4.79 on 6-pt scale): a relatively focused essay with clear sense of progression from one idea to the next; argument bolstered by some supporting evidence; distracting number of grammatical errors |
B+ =
87-89
B =
83-86
B- =
80-82 |
B (16-17.9 on 20-pt scale, 4.8-5.39 on 6-pt scale): topically focused, tightly structured, supported with solid evidence, and containing just a few stylistic or grammatical bumps |
D =
65-69 |
D (13-13.9 on 20-pt scale, 3.9-4.19 on 6-pt scale): topic clear but ineffectively argued; evidence provided tangentially relates to argument; loose sense of structure; profound difficulties w/ grammar |
|
|
F =
0-64 |
F (0-12.9 on 20-pt scale, 0-3.89 on 6-pt scale): little evidence of effort, or contains plagiarism |
Contact
Take advantage of my frequent availability throughout the week. Go here to find an open slot, then email me to reserve that time for an office visit. The fastest way to contact
me if you have a quick question is via email. You can also reach me in my office at 805-756-2159, or in the evening (before 9 p.m.) at 593-0192.
Writing Lab Center
Experienced writers at the Writing and Learning Center (in Kennedy Library, Room 111-C) offer free assistance with writing
assignments for any course. Using this service will improve even the best writer’s
output. If writing remains a challenge for you, you might consider enrolling in ENGL 150, a one-credit writing support course.
Plagiarism and the Honor Code
I encourage you to improve your writing with the help of peers, instructors,
and myself. Remember, however, that all work
you
submit must be your own. (I will occasionally vet student work to verify authorship.) Any paper containing borrowed but undocumented thoughts
or words will receive a failing grade (this includes material created by generative A.I.), and I am obligated to
report all instances of plagiarism to the Vice President
of Student Affairs. Let
me know if you have further questions concerning this important issue.
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"The Burning Houses of Lord and Commons" (1834)
J. M. W. Turner
Dr. Paul Marchbanks
pmarchba@calpoly.edu