Date |
Readings:
Path I |
Topics |
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T, 1-9
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The Dark Places of Psychology
overview of course guidelines
Virginia Woolf's "Modern Fiction" (1919, 1925), PDF
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- course guidelines
- format: sml grp discuss & report; roundtable
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R, 1-11
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The Bottom of Things
V. Woolf's The Voyage Out (1915), chps. 1-10
"Phyllis and Rosamond" (1906) in The Complete Shorter Fiction of Virginia Woolf, 17-29
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- format:
- mini-lecture: quiz-driven roundtable
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T, 1-16
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NO CLASS / TUESDAY CLASSES FOLLOW A MONDAY SCHEDULE, W24 |
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R, 1-18
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A Female Education
V. Woolf's The Voyage Out (1915), chps. 11-19
"Memoirs of a Novelist" (1909) in The Complete Shorter Fiction of Virginia Woolf, 69-79
Maggie Humm's "The Women's March on London: Virginia Woolf, John Berger, Judith Butler and Intersectionality" (2017), PDF
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- format: sml grp argumentation exrcs
- pre-class essay: Maya Aparicio
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T, 1-23
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The Looking-Glass Smashes [class WILL occur via Zoom]
V. Woolf's The Voyage Out (1915), chps. 20-27
"The Mark on the Wall" (1917) in The Complete Shorter Fiction of Virginia Woolf, 83-89
"The Evening Party" (c.1918) in The Complete Shorter Fiction of Virginia Woolf, 96-101 |
- format: roundtable discussion
- pre-class essay: Hoku Chidester
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R, 1-25
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Following Hints
V. Woolf's Jacob's Room (1922), chps 1-5
assorted contemporary responses to Jacob's Room, Norton Critical 209-214
"Solid Objects" (1920) in The Complete Shorter Fiction of Virginia Woolf, 102-107
"Sympathy" (c.1919) in The Complete Shorter Fiction of Virginia Woolf, 108-11 |
- format: sml grp whiteboard art; image analysis
- pre-class essay: Kyle Davis
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T, 1-30 |
These Chasms in Continuity
V. Woolf's Jacob's Room (1922), chps 6-10
T. S. Eliot, letter to Woolf, Dec. 4, 1922, Norton Critical 221-22
"An Unwritten Novel" (1920) in The Complete Shorter Fiction of Virginia Woolf, 112-21
"A Woman's College from Outside" (1920; 1926) in The Complete Shorter Fiction of Virginia Woolf, 145-48 |
- format: Mad Lib exercise in pairs
- pre-class essay: Zoie Denton, Kaylee Felix
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R, 2-1
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This Unseizable Force
V. Woolf's Jacob's Room (1922), chps 11-14
Judy Little's "Jacob's Room as Comedy: Woolf's Parodic Bildungsroman (1981), Norton Critical 229-44
Kate Flint's "Revising Jacob's Room: Virginia Woolf, Women, and Language" (1991), Norton Critical, 263-81
Edward L. Bishop's "Mind the Gap: The Spaces in Jacob's Room (2004), Norton Critical 303-15 |
- format: roundtable discussion
- pre-class essay: Morgan Haynie
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T, 2-6
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Leaden Circles
V. Woolf's Mrs. Dalloway (1925), 3-93
"Mrs Dalloway in Bond Street" (1922; 1923) in The Complete Shorter Fiction of Virginia Woolf, 152-59
warning: suicideal ideation |
- format: passage analysis exercises
- pre-class essay: Lauren Heck, Eli Hochderffer
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R, 2-8
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What Was the Whirlpool?
V. Woolf's Mrs. Dalloway (1925), 94-194
"The Introduction" (c.1925; 1973) in The Complete Shorter Fiction of Virginia Woolf, 184-88
Kate Haffey's Literary Modernism, Queer Temporality (2019), chp. 2 (pp.31-48) [do not read until you have finished the novel, AND only read pp.33-48]
warning: suicideal ideation |
- format: roundtable discussion
- pre-class essay: Hannah Hochheiser, Natalie Kovacs
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R, 2-8
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EXTRA CREDIT: screening & discussion
7 p.m. / Marleen Gorris's Mrs. Dalloway (1998), 1h 37m [I'll be screening Stephen Daldry's The Hours (2002) later in the quarter] |
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T, 2-13
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Silent Conversations
V. Woolf's To the Lighthouse (1927), "The Window"
"The Lady in the Looking-Glass: A Reflection" (1929) in The Complete Shorter Fiction of Virginia Woolf, 221-25 |
- format: sml grp research & report
- pre-class essay: Shefali Mistry, Naomi Phillips
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R, 2-15
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A Downpouring of Immense Darkness
V. Woolf's To the Lighthouse (1927), "Time Passes"
"Lappin and Lapinova" (1938; 1939) in The Complete Shorter Fiction of Virginia Woolf, 261-68
"A Sketch of the Past" from Moments of Being (April 1939 - Nov 1940; 1972, 1976), PDF
warning: child molestation
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- format: roundtable discussion
- pre-class essay: Dana Rasmussen
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T, 2-20
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A Wedge-Shaped Core
V. Woolf's To the Lighthouse (1927), "The Lighthouse"
"The Searchlight" (c.1930-41; 1944) in The Complete Shorter Fiction of Virginia Woolf, 269-72
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- format:
- pre-class essay: Adam Rimland
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R, 2-22
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His Swollen and Violent Heart
Orlando (1928), chps. 1-3
"Gipsy, the Mongrel" (1939; 1985) in The Complete Shorter Fiction of Virginia Woolf, 273-80
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- format:
- pre-class essay: Isaac Ruddell
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T, 2-27
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These Selves
Orlando (1928), chps. 4-6
"The Legacy" (1940; 1985) in The Complete Shorter Fiction of Virginia Woolf, 281-87
Term Paper assigned (due Thurs., Mar. 21 at midnight)
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- format: sml grp argumentation excrs
- pre-class essay: Payton Swanson
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R, 2-29 |
Tailored Tenth presentations
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T, 3-5 |
Unfinished Stories
V. Woolf's The Waves (1931), pp.7-72
"The Symbol" (1941; 1985) in The Complete Shorter Fiction of Virginia Woolf, 288-90
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- format:
- pre-class essay: Joy Tsai
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R, 3-7 |
What Lies Beneath
V. Woolf's The Waves (1931), pp.73-147
"The Watering Place" (c.1941; 1985) in The Complete Shorter Fiction of Virginia Woolf, 291-92
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- format:
- pre-class essay: Dean Weller
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Mon, 3-11 thru Fri, 3-15 |
PAPER CONFERENCES
email term paper outline to Dr. M and everyone in your small group before attending one-hour workshopping of outlines
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T, 3-12 |
Beautiful Phrases
V. Woolf's The Waves (1931), pp.148-206
"Moments of Being: 'Slater's Pins Have No Points" (April 1939 - Nov 1940; 1972, 1976) in The Complete Shorter Fiction of Virginia Woolf, 215-20
Bring to Class Dr. M's comments on your pre-class essay
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- format: sml grp concept analysis
- pre-class essay: Alec West
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R, 3-14
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One Line
V. Woolf's The Waves (1931), pp.207-97 |
- format: sml grp idea analysis excrs
- pre-class essay: Clare Zianno
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R, 3-21 |
TERM
PAPER due at midnight
(send Word file via email) |
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UNUSED |
Penalizing Despair
V. Woolf's Mrs. Dalloway (1925), 93-139
"The Widow and the Parrot: A True Story" (c.1920s; 1982) in The Complete Shorter Fiction of Virginia Woolf, 162-69 |
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